My main reason for writing these exercises and studies was to give my grandson something to play during the Covid-19 lockdown in early 2020, in the hope that his Horn playing might benefit. My motives were twofold. Firstly, to suggest ways of improving his basic technical skills by regular performance of some repetitive, but ultimately rewarding routines. Secondly, to give him an opportunity to apply technical skills through a series of more lyrical studies covering a wide range of difficulty and character.

Part One…

…contains preliminary exercises focusing on specific skills. They are prefaced by advice on how to approach them and why I believe they are essential to learn. The exercises themselves are often straightforward. I believe time spent in mastering the skills needed will lead to an understanding of the significance and potential value of these skills in wider music-making.

Parts Two and Three…

…place fundamental playing techniques in the context of a series of studies – some simple and others more demanding. Some studies reference the Horn’s orchestral and solo repertoire, and some are more whimsical or familiar tunes. I trust the elements of wit will be forgiven, and the reader will look indulgently on my amateur attempts at verse.

The value of learning to play the Horn is only worthwhile if it is both rewarding and fun.

Here are three examples, one technical exercise, one technical study and finally a melodic study: